Here is a loose shirtdress from Burda. There are two views of this same basic pattern included in the magazine. One, the dress version, has a collar and stand. The shorter tunic version, has a neck facing turned to the outside. Both have long sleeves with cuffs and placket, and a tab to keep them in place when rolled up. Darted bodice, gathered skirt.
This dress was made because I didn't have enough of the brussels washer fabric to make the pants that were planned. There very nearly wasn't enough to make the dress, either, but I think the elbow length sleeves that I had to compromise on are a better choice for my climate.
The big news with this dress is that I tried a new-to-me alteration and it worked! I had made this pattern up before using just the bodice pieces as a shirt for a wearable muslin. Unfortunately, the shirt rode to the back and needed frequent pulling on the front to keep it sitting where it should. In the past, I've tried to solve that problem with all kinds of variations of forward shoulder adjustments that were never fully successful.
Doing some research, I came across some old topics on Pattern Review that dealt with the issue. Some of the members said that their solution was to add to the back neckline.My test shirt shoulder seams for this pattern sat in the correct place when I first put the shirt on, or after I gave it a good yank to get it back into position. This made me think that the neck alteration would be a good one to try.
So here's what I did: slash from the curve in the back neckline to the curve of the armscye, and spread at the neckline. I spread 3/8 inch. This change means that the neckline facing/collar stand also need to be adjusted to match.
Yes, it worked! This dress sits nicely on my shoulders and doesn't want to move at all. It's a good day when you learn something so useful!
Other changes - I badly miscalculated on the fabric (for about a third time, ugh) and only had enough left to cut one of the front button bands. However, in the stash I had some rayon denim that, although it was not an exact match, toned in very well with the main fabric. In fact, I think having just that little bit of contrast makes the dress more interesting than it would have been. I made the facing and the button bands out of the contrast fabric.
If I had realized I was going to be using contrast fabric for the trim when I was doing the breast pockets, I would have made top bands on the pockets out of the contrast. They were already completed, though, and the additional cuteness wasn't enough to make me want to unpick and re-do them.
Burda's instructions actually have you sew the shoulder seams, then sew on the facing (wrong sides together) and then turn the facing to the right side of the garment. Doing it that way would allow the exposed shoulder seam allowance to poke out at the neckline. Instead, I sewed the shoulder seams right sides together (towards the neckline) until the point where the edge of the facing would fall, clipped the seam allowance at that point, and then flipped the seam around to sew the rest of the way wrong sides together. That way, the shoulder seam allowances are enclosed under the facing and the inside looks like this.
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I neatened up the serger threads later... |
I shortened the sleeves to elbow length and finished them off with a stitched down cuff. Buttons were from a grab bag from Califabrics.
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The dress has a cute shirt tail hem. |
That's it for this dress. I have a number of dresses now that have gathered skirts on them. They sure are easy to fit, but for now I will try to diversify a bit and find some shift dresses or different types of skirts.
Spring is almost here! Happy spring to everyone.
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